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R
V SHANTARAM - RETROSPECTIVE
Name:
Rajaram Vankudre Shantaram
Date of birth: 18 November, 1901
Place of birth: Kolhapur, Maharashtra, India
Date of death: 30 October 1990
Profession: Editor, Producer, Actor, Director
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'Bite the Mango' film festival is proud to focus on the work of V.
Shantaram this year by screening four of his films as well as a rare
look at a documentary of his life. There will be an introduction to
the work of Shantaram by Indian film historian and critic Lalit Mohan
Joshi.
V.
Shantaram lived a long and presumably a happy life, just short of
90 years. He began his professional life in his teens with the legendary
singer and actor, Bal Ghandarva's theatre company as a gofer and
odd job boy. Within a couple of years he found employment at a local
cinema and shortly after he became an assistant to the photographer,
Baburao Painter. He would act in 15 films over the next nine years,
playing roles ranging from impoverished peasants and opulent princes
to gods of the Hindu pantheon. In 1929, he directed his first film,
Netaji Palkar.
At
the age of 28, already a veteran actor and director, he started
the Prabhat Film Studio with three of his colleagues, Fattelal,
Damle, and Keshavrao Dhaiber. For the next 13 years Prabhat Studios
would produce some of the most trail blazing and memorable films
of Indian cinema, a large number of them directed by Shantaram.
In
1942, Shantaram broke away from Prabhat to start his own film studio,
the Rajkamal Kalamandir in Bombay. Some of the memorable films he
directed at Rajkamal were Dr. Kotnis Ki Amar Kahani, Do Aankhen
Bara Haath and Lok Shahir Ramjoshi. Prolific as he was as a producer
and director of cinema features, Shantaram helped to set up a Film
Advisory Board for the Government of India as its Chief Producer
during the war.
When
Shantaram passed away in 1990 the Indian film business as an established
industry was 77 years old. He was part of it for 73 of those years.
His first 15 films were made during the silent era. His last film
was made when digital technology had made its entry into the cinema.
If Indian cinema could be given human form, it could well look like
Shantaram.
SELECTED
FILMOGRAPHY
| Jhanjhar
(1986) |
Padosi
(1941) |
| Chaani
(1977) |
Duniya
Na Maane (1937) |
| Pinjra
(1972) |
Chandrasena
(1935) |
| Do
Aankhen Barah Haath (1957) |
Sinhagad
(1933) |
| Jhanak
Jhanak Payal Baje (1955) |
Udaykal
(1930) |
| Amar
Bhootpali (1951) |
Gaja
Gauri (1926) |
| Dahej
(1950) |
Sati
Padmani (1924) |
| Dr
Kotnis Ki Amar Kahani (1946) |
Surekha
Haran (1921) |
| Shakuntala
(1943) |
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FILMS
SHOWING AT 'BITE THE MANGO' FILM FESTIVAL 2003
Navrang
Dir: V. Shantaram, India, 1959, tbc mins
Do
Aankhen Barah Haath Dir: V. Shantaram , India, 1957, tbc mins
Dr
Kotnis Ki Amar Kahani Dir: V. Shantaram, India, 1946, tbc mins
Jhanak
Jhanak Payal Baje Dir: V. Shantaram , India, 1955, tbc mins
Information
courtesy of Bite
The Mango Film Festival.
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