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In little
less than a decade, A.R. Rahman has changed the face of Indian film
music. A Mani Ratnam find, Rahman's first major work Roja (1993),
was a breakthrough. The unique blend of folk, classical and natural
sounds in the Choti si Aasha
number, created a new idiom which
became a Rahman hallmark. For South Asians all over the globe, Rahman
is a cult figure. The young love him because his blends are wild.
His popular numbers have a magical mix of all kinds of sounds. For
Rahman, there are no rules, no boundaries in music.
Having
dominated the Indian music scene for the better part of a decade,
Rahman is no stranger to the western world as he recently worked
with Andrew Lloyd Webber and Shekhar Kapur in the highly successful
West End musical 'Bombay Dreams'.
Since
his introduction to Indian cinema, he has worked on close to sixty
films. After creating waves in Mani Ratnam's Roja in 1992, A.R Rahman's
career has gone from strength to strength by introducing a new ambience
to Indian cinema and being one of the main contributors to the film
industry's crossover appeal.
According
to acclaimed Indian film director Shyam Benegal, the secrets of
Rahman's magic lies in 'the depth of his compositions and his having
a perfect feel on the pulse of the younger generation. That makes
failure difficult for him.'
At
37, Rahman's achievements are incredible.
SELECTED
FILMS AS A COMPOSER
| Saathiya
(2002) |
Fire
(1996) |
| Nayak
(2001) |
Bombay
(1995) |
| Lagaan
(2001) |
Roja
(1992) |
| Taal
(1999) |
The
Gentleman (1989) |
| Dil
Se (1998) |
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FILMS
SHOWING AT 'BITE THE MANGO' FILM FESTIVAL 2003
Spotlights
And Saris: Making Bombay Dreams Dir: Nasreen Munni Kabir, UK,
2002, 60 mins.
Saathiya
Dir: Shaad Ali, India, , 138 mins
Information
courtesy of Bite
the Mango Film Festival.
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