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'Water'
a new movie directed by Deepa Mehta, is also a new book written
by Bapsi Sidhwa. New movie and novel release simultaneously April
28, 2006. Set in 1938 colonial India against the backdrop of Mahatma
Gandhi’s rise to power, 'Water' follows the life of eight year old
Chuyia, a child-bride who is abandoned at a widows ashram after
the death of her husband. Unwilling to accept her fate, Chuyia disrupts
daily life in the ashram and becomes a catalyst for change in the
lives of the widows. When her friend, the beautiful widow- prostitute
Kalyani, falls in love with a young, upper-class Gandhian idealist,
the forbidden affair boldly defies Hindu tradition and threatens
to undermine the delicate balance of power within the ashram.
Bapsi
Sidhwa, "Pakistan's finest English-language novelist"
(New York Times), is known for novels that chronicle the history
of the Indian subcontinent, with particular focus on the lives of
women. Deepa Mehta, a Indian-Canadian filmmaker, is known for her
trilogy of movies about sexuality, nationalism, and religion on
the subcontinent. The two-novelist and film maker-first collaborated
on the translation of Sidhwa's novel Cracking India into a movie,
'Earth' released in 1998. 'Water' is the third film in Deepa Mehta's
trilogy; the novel based on the film is Bapsi Sidhwa's fifth novel
about the subcontinent.
FILMING
WAS CONTROVERSIAL
In
2000, shooting of the film on location in Varanasi, India, was stopped
by government order after violence broke out, including an attempted
suicide by a Shiv Sena activist who tried to drown himself in the
Ganges. The Hindu fundamentalist party that killed Gandhi also threatened
Mehta.
At
the time, Bapsi Sidhwa appealed to other writers and artists on
Mehta's behalf. Writing to the offices of PEN in the US and to newspapers
in India, Sidhwa wrote, "They are using Deepa as a prop to
galvanize anti-Muslim and anti-Christian religious fervor."
The
same extremist voices called Sidhwa a Pakistani agent: "Because
she made a pro-Muslim film like Earth. She is being funded with
Christian and Pakistani money to defame Hinduism."
Sidhwa
responded: "I am a Parsee of Pakistani origins. The film Earth
is based on my book Cracking India. It is the story of the partition
of India, and the Hindu, Muslim and Sikh violence that accompanied
it in the Punjab, as seen from an 8 year-old Parsee girl's perspective.
It is important that the girl is not Hindu, Muslim or Sikh, and
so can present the facts dispassionately."
Cracking
India and Earth were in President Bill Clinton's briefing kit when
he visited India in 2000. Water was eventually filmed in secret.
Sidhwa began writing the novel after seeing the rough cut of the
film.
TRANSLATING
NOVEL INTO FILM AND VICE VERSA
Discussing
the process of turning a film script into a novel, Sidhwa said,
"I have never worked so hard, but it was for me a new and exhilarating
experience."
When
Deepa Mehta turned Cracking India into Earth, author and director
spent "hours on the phone each day," Sidhwa said, as Mehta
"literally carved her cinematic vision out of my novel."
In
the case of writing Water, Sidhwa said, "the plot and characters
were already there, but I had to bring the skeletal script and cinematic
images to life with words. Besides being a gripping story, the plot
deals with a subject close to my heart - that of the oppressive
hold tradition has on women, in this case, religious tradition.
It tells of oppression and the constraints that govern even a girl-child's
life in a patriarchal society. I have always been active in women's
issues."
Three
of Sidhwa's previous novels about the subcontinent have just been
reissued by Milkweed Editions. The Crow Eaters is set during British
rule; Cracking India vividly depicts the partition of India and
Pakistan; An American Brat is set in the 1970s during the rise of
Islamic fundamentalism.

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